Tag: HETV
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To Kill A Saint – A Personal History, Reimagined on Film
To Kill A Saint is a music video reflecting Oliver Anderson’s ancestral trauma from a historical witch trial. Directed by Kieran Lowley and Isobel Drane, it features a raw, emotional style that conveys paranoia and the fear of persecution. Shot at Walthamstow Wetlands, it serves as a meditation on guilt and accusation.
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Behind the Scenes of Mind The Gap
Behind the Scenes of Mind The Gap Red Robin Films recently wrapped production on Mind The Gap, a daring new drama shot over three packed days in and around Bermondsey. Written and directed by first-time directed Sinan Barut and lensed by DoP Hal Pilkington, the film blends the aesthetics of documentary and arthouse cinema to…
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Script-To-Screen #5: Structuring your first 10 pages for impact
Script-To-Screen #5: Structuring your first 10 pages for impact In screenwriting, your first 10 pages are everything. They’re your pitch, your promise, and your invitation to keep reading (or watching). Whether you’re sending your script to agents, producers, or competitions, if those opening minutes don’t grip the reader, they won’t stick around for the rest.…
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Script-To-Screen #6: How to Write Visual, Cinematic Scenes
Script-To-Screen #6: How to Write Visual, Cinematic Scenes Cinema is a visual medium — yet many screenwriters rely too heavily on dialogue to carry their stories. The best scripts don’t tell us what’s happening, they show us. Writing cinematic scenes means embracing action, imagery, and subtext to convey mood, character, and plot without spelling everything…
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Script-To-Screen #4: How to write unforgettable characters
Script-To-Screen #4: How to write unforgettable characters Plot might get people into the theatre, but character is what keeps them thinking about your film long after the credits roll. Unforgettable characters are layered, flawed, and driven by inner contradictions, just like real people. If you’re writing a feature screenplay, crafting memorable characters is one of…
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Script-To-Screen #3: Dialogue that Pops: Tricks from the Pros
Script-To-Screen #3: Dialogue that Pops: Tricks from the Pros Great dialogue doesn’t just convey information, it reveals character, builds tension, and drives story. It’s not about sounding “real,” it’s about sounding right for the moment, the tone, and the voice of your characters. If your dialogue feels flat or overwritten, here are some time-tested tricks…
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Script-To-Screen #2: Mastering the 3-Act Structure for a 90-Minute Feature Film
Script-To-Screen #2: Mastering the 3-Act Structure for a 90-Minute Feature Film The 3-act structure is the cinematic blueprint behind nearly every great movie. When writing a 90-minute feature film – approximately 90 script pages – understanding how to pace and structure your story is critical. It helps you keep the narrative tight, emotionally resonant, and…
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Script-To-Screen #1: How to turn an idea into a Feature Film Script.
Script-To-Screen #1: How to turn an idea into a Feature Film Script. Every great movie starts with a single idea — a spark. But turning that spark into a fully formed feature film script takes focus, structure, and no small amount of persistence. Whether you’re a first-time writer or a seasoned screenwriter looking for a…
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The Essentials of Film Financing: Equity, Debt & Soft Money
Raising money for a film is one of the biggest challenges in the industry—and often the most misunderstood. While every production is different, most are funded through a combination of equity, debt, and soft money. Understanding how these sources work together is essential for getting your project off the ground. Equity Investment Equity refers to…
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The Fundamentals of Writing a Feature Screenplay
Writing a feature-length screenplay is an ambitious yet rewarding endeavor that requires a balance of creativity, structure, and discipline. Whether you’re crafting a high-concept thriller, an intimate drama, or a genre-bending horror film, understanding the fundamental principles of screenwriting will set you on the path to success. 1. Understanding Story Structure Most feature films follow…
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